Menu

Antonio Beneyto. Ink and color drawing on paper. Surrealism. Hand signed. 1983. 18.5x11 cm.

Attention! Start session for bidding for this lot.

SUB_d95_22752

Antonio Beneyto. Ink and color drawing on paper. Surrealism. Hand signed. 1983. 18.5x11 cm. On a reused sheet of paper.

Follow this auction
Auction closes:

  2025-1-9 19:50:00

 

Lots from the same artist

Lots next to close

  • Jose Antonio Scaco. "Landscape". Crayons on paper. Hand signed. 1996. 35x50 cm. 25x35 cm without the mat.

    Jose Antonio Scaco. "Landscape". Crayons on paper. Hand signed. 1996. 35x50 cm. 25x35 cm without the mat. He was born in Mendoza in 1930 and died in the same city on April 16, 2017. After some forays into technical drawing and at the Open Air Sunday School of Drawing and Painting, directed by Vicente Lahir Estrella, he studied at the Provincial School of Fine Arts of Mendoza graduating in 1970, later being a teacher at the same institution. He participated in more than one hundred 100 collectives in Mendoza and other cities in Argentina. He exhibited individually at the Zulema Zoireff de Mendoza gallery in 1978 and 1982, in Buenos Aires, Spain, Chile, Mexico, Ecuador, Emiliano Guiñazú Casa de Fader Museum in 1991 and 2010 and Espacio Contemporáneo de Arte in 2005. He attended more than one hundred collective . He started late but he quickly acquired the technique and in a few years he achieved the style that identifies him. The simple landscapes of his beginnings were transformed into surreal scenes and then returned to them with another approach, with greater light divisions and details, in a baroque process of arduous preparation. (Eduardo Baliari; Andrés Cáceres, Diario Los Andes, October 25, 2005; Mercedes Fernández, Diario Los Andes, September 3, 2016.

    190 EUR
    End Date: 1/8/25 7:45 PM

  • Virgili "FALL FROM THE SKY" IV/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO IV/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 1/8/25 7:50 PM

  • Virgili "NATURA PLASMADA" III/X (2023)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO III/X MOMOKO (Paris 1965) Photographer Specialised in images, MOMOKO is an artistic photographer. His Artwork is characterised by the pictorial atmosphere, the use of colour, framing, light, speed and abstraction are his main interest when creating an image, not only with the technical effect, but also the anecdotal, whether it will or will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the viewer will be able to identify in the first person. He makes it clear that it is not only a photograph but that it can be interpreted as a frame of his (people's) imagination. The technique he likes to use for his photographic Artworks: Mixed, simple, direct and manual, no digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch by eliminating the polyethylene of normal paper and using a barium sulphate coating “barite” which gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 1/8/25 7:55 PM

  • Virgili "MARMONTAÑA" III/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO III/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 1/8/25 8:00 PM