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Juan Carlos Virgili: "To the Top"

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SUB_U8ZGK

From High Virgili BCN 1965. Original photographic copy numbered and signed by the author. From High. Print run of 10 copies, 1/10. 45 x 30 cm. Signed on the back in pencil and with a certificate of authenticity. Photographer J.C. Virgili Paris, France in 1965. Film camera. Shoot (Carlos Saura). Jamón Jamón (Bigas Luna). Golden Eggs (Bigas Luna). Marathon (Carlos Saura). The Tit and the Moon (Bigas Luna). Too Young to Die Old (Mar Targarona) Since the beginning of his career, he has combined filmmaking with his very personal photography projects, Artworking in various very specific projects in fashion, architecture, aerial and underwater photography, expeditions, and so on. His Artwork has been exhibited at: 2012 Vilopriu Castle, Girona 2013 Le Stop, Paris 2014 Poble Nou, Barcelona 2014 Extro Gallery, Madrid 2015 Sky Gallery, Barcelona 2016 RRLuxury Gallery, Cape Town 2017 Paltermo Art Gallery, Buenos Aires Technique used for these photographic Artworks: Mixed, simple, direct, and manual. No digital process with the baryta paper used primarily in black and white photography. Virgili adapts it to color, giving it his personal touch by eliminating the polyethylene from normal paper and using a barium sulfate coating (baryta), which gives the coating a natural shine.

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  2025-8-4 19:05:00

 

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Lots from the same artist

  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:40 PM

  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:45 PM

  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:50 PM

  • Virgili "GironaMonochrom " I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:55 PM

  • Virgili I/XXX (2025) Woman walking UniversoCristal Monochrom

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/XXX (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, will it be or will it not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:00 PM

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