Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
End Date: 3/12/25 8:10 PM
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AUTHOR: M. Casas Ocampo TITLE: “SUBLIMATIONS II” MEASUREMENTS: 73 x 60 cm. TECHNIQUE: Oil on canvas YEAR: 2010 Excellent condition. Signed in the lower right corner. Varnished CV and Certificate of Authenticity issued by the artist are attached Mercedes Casas Ocampo is an Argentine-Spanish artist who has lived in Barcelona (Spain) since 1993. From 1988 to 1992 she studied a degree in Painting at the National University of Córdoba (Argentina) and in 1993 she moved to Barcelona, where she took up residence and set up her studio. Along with her teaching Artwork, she has developed an intense professional activity participating in numerous exhibitions in Spain, Italy, Poland, Argentina, Germany, France and the Dominican Republic and her Artwork is part of numerous private collections. Through his tireless search he has created his own artistic language that is reflected in his Artworks and does not leave the viewer indifferent.
Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
María Ángeles de Armas (Madrid, 1938-2006). Woman with a pitcher. Oil on tablex. Her Artworks can be found in the main museums in Spain, Europe and America: • Museo Nacional Centro de Arte Reina Sofía in Madrid. • Calouste Gulbenkian Foundation, Lisbon. Portugal. • Museum of the Royal Academy of Fine Arts of San Fernando, Madrid. • Quentovic Museum, France. • National Museum of Fine Arts, Malta. Art collection of the city council of Palamós Camón Aznar Museum, Zaragoza. Museum of Contemporary Art of Buenos Aires, Argentina.
Juan Arenas (Alicante, 1973) Esperanza (2020) Juan Arenas maintains that his style is based on expressionism and that it mixes reality with the inner world that each human being is capable of experiencing for themselves. "I try to incorporate new concepts, coming from the spiritual world, I consider that a revolution in the style and technique of painting is necessary, because it is quite stagnant," says the painter. Juan Arenas' concern is the human being, whose position in society interests him, both in the social and work ties, as well as the aspect of genealogy, that is, the place where he is within his family circle, illustrating all kinds of details of this subject and even extrapolating it to his own family relationships.
José Peris Panach (Catellón, 1951) Rhythmic expressionism. As a writer, he has published short illustrated humorous stories in the newspaper Levante, a biographical book about his father (the historic poster artist and painter J. Peris Aragó). He has been a collaborator of the Valencian academic José Agramunt and also co-founder of the magazines Carraixét de Alboraya and Agua Limpia de Segorbe. Painter and illustrator, son of the painter and poster artist José Peris Aragó (1907 -2000), he has exhibited in the main galleries in Spain and his Artworks are in both private and state collections.
José María Kaydeda (Barcelona, 1920-2011): "Abstraction". In 1941 he held his first solo exhibition at the Círculo de Artesanos in Santiago de Compostela. That year he also began to collaborate in the press and radio. In 1951 he began his career as a playwright, with the set design for “A Midsummer Night's Dream” performed for General Franco at the Teatro Colón in La Coruña. And around the same time he began his career as a poet and lecturer, which has earned him, along with his art, numerous awards: the Arte Sacro Prize, the Salón del Toro Prize, etc. Later he founded “Ediciones Kaydeda”, a publishing house specialising in transgressive and heterodox Artworks, and later he gave his private collection to the City Council of Oleiros (La Coruña), which recently housed part of this collection in the Os Oleiros-Jose Mª Kaydeda museum.