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Juan Carlos Virgili: "Pinta Luz"

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Pinta Luz Virgili BCN 1965. Original photographic copy numbered and signed by the Author Pinta Luz Print run of 10 Copies 1/10. 53 x 30 cm Signed on the back in pencil and certificate of authenticity Photographer J C Virgili Paris, France in 1965.Film camera.Shoot (Carlos Saura).Ham Ham (Bigas Luna). Golden Eggs (Bigas Luna).Marathon (Carlos Saura) The Teta and the Moon (Bigas Luna). Too Young to Die Old (Targarona Sea) From the beginning of his career he has combined cinema with his very personal photographic projects and in different very specific projects in fashion, architecture, aerial photography, underwater photography, expeditions...... His Artwork has been exhibited at: 2012 Vilopriu Castle Girona 2013 Le Stop Paris 2014 Poble Nou Barcelona 2014 Extro Gallery Madrid 2015 Sky Barcelona Gallery 2016 Gallery RRLuxury Cape Town 2017 Art Gallery Paltermo Buenos Aires Technique used for these Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to the color, giving it his personal touch by canceling the polyethylene of the normal paper and using a coating of barium sulfate “barite” that gives natural shine to the coating.

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  2024-1-12 20:05:00

 

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Lots from the same artist

  • Girona virgili BCN 1965. 53x30 Original photographic copy numbered and signed by the Author

    53x30 cm Signed on the back in pencil certificate of authenticity Photographer J C Virgili Juan Carlos Virgili (Paris 1965) Movie camera. He has Artworked on feature films such as: Shoot (Carlos Saura). Jamón Ham (Bigas Luna). Golden Eggs (Bigas Luna). The Teta and the Moon (Bigas Luna). Too Young to Die Old (Targarona Sea) Marathon (Carlos Saura) Alejandro Marco Meat ... Photographer Specialized in images, Virgili is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that not only is it a photograph but it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, taking out his personal touch, canceling the polyethylene of normal paper. and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques Collective 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town ( Cole

    250 EUR
    End Date: 12/4/24 6:35 PM

  • Virgili "MARMONTAÑA" III/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO III/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

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  • Virgili "Tramuntana sculptures the olive tree" I/XX (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO II/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    250 EUR
    End Date: 12/4/24 7:05 PM

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