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Eduardo Arranz-Bravo and Rafael Bartolozzi: 'Untitled', lithograph 97/125

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SUB_63e_21101

Original lithograph signed by the artists Bartolozzi (1943 - 2009) and Arranz-Bravo (1941). Artwork from 1973, with an edition of 150 copies. Overall dimensions: 74 cm x 55 cm. Image dimensions: 64 x 50 cm. In good condition with small moisture defects on the bottom, not very visible as a whole. Frameless. Numbered 97/125 and hand-signed in pencil. Bartolozzi, for example, like Arranz-Bravo and other artists, subscribed to the recovery of figuration and pop art, a movement of which he was one of the most significant Spanish artists. Abstraction, informalism, and the conceptual and objectual aspect were also common to both, with the particularities, interests and searches of each artist. Both artists collaborated for just over a decade. A significant example of their joint Artwork is the mural painting of the entire Tipell factory (2000 square meters, considered the largest Artwork of pop-art in Europe, and the most iconic in Spain - photo at the end photo: Fundació Arranz-Bravo) . The lithography corresponds to their periods - which together with other artists marked a turning point in Spanish contemporary art, and which we could call new figuration and neo-surrealism, and new transgressions, and approach to pop-art -, typical of the collaboration of these artists between the 60s and 70s, after their individual immersion in abstraction and experimentation. After their close collaboration, both continued their careers, and currently have Artwork in major contemporary art museums.

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Auction closes:

  2024-4-24 18:35:00

 

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Lots from the same artist

  • Rafael Bartolozzi and Eduardo Arranz-Bravo: 'AL 1972 Pforzheim', lithograph numbered E. A 12/L

    Original lithograph signed by the artists Bartolozzi (1943 - 2009) and Arranz-Bravo (1941), 'AL 1972 Pforzheim' (1972). In pencil, and numbered E. A 12/L. From the exhibition at the Glauner Gallery, in Pforzheim, Germany - 1972, with an edition of 150 copies. Overall dimensions: 74 cm x 55.50 cm. Image dimensions: 65 x 50 cm. In very good condition. Frameless. Both artists collaborated for just over a decade. A significant example of their joint Artwork is the mural painting of the entire Tipell factory (2000 square meters, considered the largest Artwork of pop-art in Europe), and the most iconic in Spain. 'AL 1972 Pforheim' corresponds to his periods - which together with other artists marked a turning point in Spanish contemporary art, and which we could call new figuration and neo-surrealism, and new transgressions, and approach to pop-art -, his own of the artists' collaboration between the 60s and 70s, after their individual immersion in abstraction and experimentation. After their close collaboration, both followed their paths.

    85 EUR
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  • Eduardo Arranz-Bravo and Rafael Bartolozzi: “Granollers, fulla baixa I”

    Original lithograph signed by the artists Eduardo Arranz-Bravo (1941 – 2023), and Rafael Bartolozzi (1943 – 2009), numbered 95/125, in pencil. Published in the Sala Gaspar Collection, 1973. Both formed an operational artistic group during a period that went more or less from 1970 to 1980. The union between both painters was both strategic and plastic, since each one preserved his individual career, without prejudice to the group exhibitions held under the title “Arranz-Bravo and Bartolozzi”. They are placed in art-pop, neo-figurativism, surrealism and new avant-garde. In any case, both are very significant artists of the art of the second half of the 20th century. As an essentially collective Artwork, his most significant Artwork was carried out in the Tipel tanning factory (1971), at the foot of the highway (penultimate photos; last photo, Eduardo Arranz-Bravo, in his studio, photo by Pol Masip). Painted in its entirety, there are 2,000 square meters of surface, with very bright colors, very pure, very “pop”. Iconic Artwork, considered by the British press as the largest art-pop Artwork in Europe. In 2019, the Artwork was restored by Arranz-Bravo himself. Lithograph in very good condition. Overall: 74cm x 55cm. Image: 68 cm x 50 cm, on high quality white paper. Published in the Sala Gaspar Collection, 1973 (see photo, not included).

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