Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
End Date: 3/12/25 8:10 PM
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Salomé de Cambra: "The Forest (5)" (2016) Nº referencia: 167 Óleo y collage sobre lienzo, 80x54cms Pertenece a la colección "The Way", A propósito del Camino de Santiago (2015-2018) de 22 pinturas al óleo, collage y fractales inspirados en paisajes del Camino de Santiago. Como es habitual en la obra del artista, la colección contiene obras de producción y estilo distinto: mientras hay obras que recuerdan la pintura catalana de finales del XIX (Ref.157), otras tiene un estilo impresionista que incorpora collage con plumas como elemento vivo e inesperado propio de la naturaleza (Ref.166-167). Destacan también las obras de hortensias por sus volúmenes y barroquismo.
Manuel Capdevila Massana. Engraving "Trombone". DCLVI. Hand signed. Mat 32x30 cm. 19x17 cm.
María Ángeles de Armas (Madrid, 1938-2006). Woman with a pitcher. Oil on tablex. Her Artworks can be found in the main museums in Spain, Europe and America: • Museo Nacional Centro de Arte Reina Sofía in Madrid. • Calouste Gulbenkian Foundation, Lisbon. Portugal. • Museum of the Royal Academy of Fine Arts of San Fernando, Madrid. • Quentovic Museum, France. • National Museum of Fine Arts, Malta. Art collection of the city council of Palamós Camón Aznar Museum, Zaragoza. Museum of Contemporary Art of Buenos Aires, Argentina.
Juan Arenas (Alicante, 1973) Esperanza (2020) Juan Arenas maintains that his style is based on expressionism and that it mixes reality with the inner world that each human being is capable of experiencing for themselves. "I try to incorporate new concepts, coming from the spiritual world, I consider that a revolution in the style and technique of painting is necessary, because it is quite stagnant," says the painter. Juan Arenas' concern is the human being, whose position in society interests him, both in the social and work ties, as well as the aspect of genealogy, that is, the place where he is within his family circle, illustrating all kinds of details of this subject and even extrapolating it to his own family relationships.
José Peris Panach (Catellón, 1951) Rhythmic expressionism. As a writer, he has published short illustrated humorous stories in the newspaper Levante, a biographical book about his father (the historic poster artist and painter J. Peris Aragó). He has been a collaborator of the Valencian academic José Agramunt and also co-founder of the magazines Carraixét de Alboraya and Agua Limpia de Segorbe. Painter and illustrator, son of the painter and poster artist José Peris Aragó (1907 -2000), he has exhibited in the main galleries in Spain and his Artworks are in both private and state collections.
José María Kaydeda (Barcelona, 1920-2011): "Abstraction". In 1941 he held his first solo exhibition at the Círculo de Artesanos in Santiago de Compostela. That year he also began to collaborate in the press and radio. In 1951 he began his career as a playwright, with the set design for “A Midsummer Night's Dream” performed for General Franco at the Teatro Colón in La Coruña. And around the same time he began his career as a poet and lecturer, which has earned him, along with his art, numerous awards: the Arte Sacro Prize, the Salón del Toro Prize, etc. Later he founded “Ediciones Kaydeda”, a publishing house specialising in transgressive and heterodox Artworks, and later he gave his private collection to the City Council of Oleiros (La Coruña), which recently housed part of this collection in the Os Oleiros-Jose Mª Kaydeda museum.