Joan Carles Virgili: "Luz de Luz" 1/10

Attention! Start session for bidding for this lot.


Autor: Joan Carles Virgili. Paris (Realizador de cine, Publicidad, Director de fotografía y Fotógrafo). Título: Luz de Luz. Descripción: fotografía perteneciente a la Serie Puntos de Luz. Edición limitada de 10 ejemplares firmados y certificados por el artista. Numerado 1/10 al dorso.esta obra pertenece a la serie Puntos de luz. Tiraje de 10 Copias más una para el Fotógrafo P.A. Certificadas 1/10 60x40cm Fotógrafo Joan Carles Virgili Nacido: en Paris, Francia en el 1965 Cámara de cine publicitario y de cine largo . Ha Trabajado como cámara en películas como: Dispara (Carlos Saura) (D.o.p Javier Aguierresarrobe) Jamón Jamón (Bigas Luna) (D.o.p. José Luís Alcaine) Huevos de Oro (Bigas Luna) (D.o.p. José Luís Alcaine) Maratón (Carlos Saura) (D.o.p Javier Aguiresarrobe) La Teta y la Luna (Bigas Luna) (D.o.p José Luís Alcaine) ... Su obra ha sido expuesta en: 2012 Castillo de Vilopriu Girona 2013 Le Stop Paris 2014 Poble Nou Barcelona 2014 Galería Extro Madrid 2015 Galería Sky Barcelona Técnica utilizada para las obras fotográficas son: La fotografía original digital no retocada. Hahnemühle Fine Art K3 de Epson Premium: la mejor impresión con tintas pigmentadas K3 impresión de fotografías de alta calidad con la perfección artística: la bella arte de imprimir nuestro valioso papel en artistas Hahnemühle ofrece un aspecto lujoso y auténtico sorprendente. Las nuevas tintas de impresión pigmentada superior K3 resaltar los detalles más pequeños. Los colores conservan su brillo como recién impreso, incluso después de 100 años


Auction closes:

  2022-1-2 13:11:33

 


The auction is closed

Lots from the same artist

  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:40 PM
  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:45 PM
  • Virgili "Monochrom" I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:50 PM
  • Virgili "GironaMonochrom " I/XXX (2025)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/X (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial environment, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/26/26 9:55 PM
  • Virgili I/XXX (2025) Woman walking UniversoCristal Monochrom

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/XXX (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, will it be or will it not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:00 PM

Lots next to close