Alfonso Costa Beiro: "Levitación" (1974)

Attention! Start session for bidding for this lot.


Autor: Alfonso Costa Beiro (Noia, La Coruña, 1943). Título: Levitación (1974). Descripción: óleo sobre lienzo firmado y fechado en el ángulo inferior izquierdo. Titulado y firmado en la parte posterior. Medidas sin marco 55,5x46 cm. Obra en buenas condiciones con signos de la edad.


Auction closes:

  2022-4-14 21:30:00

 


The auction is closed

Lots from the same artist

  • Ramon Costa Nolla. Ink drawing on paper "Church with two bells". 1919. Hand-signed. 28x29.5 cm.

    Ramon Costa Nolla. Ink drawing on paper, "Church with Two Bells." 1919. Hand-signed. 28 x 29.5 cm. Ramon Costa Nolla (Reus, July 18, 1877 – Barcelona, 1952) was a Catalan painter and draftsman. He showed an aptitude for drawing from a very young age, and in 1887, at the age of 10, he began Artworking in the studio of Domènec Soberano, and shortly afterward with the painter Aleix Clapés, who at that time had a drawing school in Reus. After moving to Barcelona, he painted landscapes, which he exhibited twice, but he specialized in pen and ink drawings. At the age of 23, he was hired by the Seguí publishing house to illustrate its unfinished encyclopedia, collaborating with Odón de Buen. He Artworked for other publishers, alternating drawing with oil painting. Around 1920, he began Artworking at the F.D.T. publishing house, founded by the Marist Brothers (which became Editorial Luis Vives in 1932). He lived somewhat apart from the artistic trends of his time, dedicating himself almost exclusively to editorial illustration. In his studio, he kept a very extensive graphic archive. Among other Artworks, he illustrated, in addition to various encyclopedias, *El Cielo* (The Sky), by the astronomer Comas i Solà; *Arte y monumentos* (Art and Monuments), with texts by J. Rodergas i Calmell; *Itinerario artístico: Cataluña* (Artistic Itinerary: Catalonia), with texts by Josep Francesc Ràfols; and 24 volumes of a collection from the Hernando publishing house in Madrid, entitled "La riqueza en la mano" (Wealth in Hand), which dealt with animal husbandry and agriculture. He signed most of his Artworks with the initials R.C. In his youth, he contributed to the Reus newspapers *Reus Artístich* and *L’Escut de Reus*. His paintings were exhibited in Reus and Barcelona, and in 1914 he won first prize for drawing in a competition organized by the "Associació catalanista de Gràcia". In 1940 he retired from professional activity. He died in Barcelona in 1952.

    80 EUR
    End Date: 10/15/26 9:05 PM
  • Ramon Costa Nolla. Charcoal drawing on paper, "Male Portrait." Early 20th century. Hand-signed. With an academic drawing on the back. Signs of age. 45 x 31 cm.

    Ramon Costa Nolla. Charcoal drawing on paper "Male Portrait". Early 20th century. Hand-signed. With an academic drawing on the back. With signs of age. 45 x 31 cm. It has a tape mark on the top side of the drawing. Ramon Costa Nolla (Reus, July 18, 1877 - Barcelona, 1952) was a Catalan painter and draftsman. He showed a passion for drawing from a very young age, and in 1887, at the age of 10, he began Artworking in the studio of Domènec Soberano, and shortly afterward with the painter Aleix Clapés, who then had a drawing school in Reus. After moving to Barcelona, he painted landscapes, which he exhibited twice, but specialized in pen and ink drawings. At the age of 23, he was hired by the Seguí publishing house to illustrate its unfinished encyclopedia, collaborating with Odón de Buen. He Artworked for other publishing houses, alternating drawing with oil painting. Around 1920, he joined the F.D.T. publishing house founded by the Marists (which in 1932 was renamed Editorial Luis Vives). He lived somewhat apart from the artistic movements of his time and devoted himself almost exclusively to editorial illustration. His studio had a very extensive graphic archive. Among other Artworks, he illustrated, in addition to various encyclopedias, El Cielo (The Sky), by the astronomer Comas i Solà; Arte y Monumentos (Art and Monuments), with texts by J. Rodergas i Calmell; Itinerario artista: Cataluña (Artistic Itinerary: Catalonia), with texts by Josep Francesc Ràfols; and 24 volumes of a collection from the Hernando publishing house in Madrid, entitled "La riqueza en la mano" (Wealth in the Hand), which dealt with animal husbandry and agriculture. He signed most of his Artworks with the initials R.C. In his youth, he contributed to the Reus newspapers Reus Artístich and L’Escut de Reus. His paintings were exhibited in Reus and Barcelona, and in 1914 he won first prize for drawing in a competition organized by the Catalan Association of Gràcia. He retired from professional activity in 1940. He died in Barcelona in 1952.

    190 EUR
    End Date: 10/8/26 6:20 PM
  • Ramon Costa Nolla. Charcoal drawing on paper, "Female Portrait." Early 20th century. Unsigned. 47 x 29 cm.

    Ramon Costa Nolla. Charcoal drawing on paper "Female Portrait". Early 20th century. Unsigned. With a drawing of a female nude behind it. With signs of age. 47 x 29 cm. It has a tape mark on the upper side of the drawing. There is handwriting by the painter, draftsman, and artist. Ramon Costa Nolla (Reus, July 18, 1877 - Barcelona, 1952) was a Catalan painter and draftsman. He showed a passion for drawing from a very young age, and in 1887, at the age of 10, he began Artworking in the studio of Domènec Soberano, and shortly afterward with the painter Aleix Clapés, who then had a drawing school in Reus. After moving to Barcelona, he painted landscapes, which he exhibited twice, but specialized in pen and ink drawings. At 23, he was hired by the Seguí publishing house to illustrate its unfinished encyclopedia, collaborating with Odón de Buen. He Artworked for other publishing houses, alternating drawing with oil painting. Around 1920, he joined the F.D.T. publishing house founded by the Marists (which in 1932 was renamed Editorial Luis Vives). He lived somewhat apart from the artistic movements of his time and devoted himself almost exclusively to editorial illustration. His studio had a very extensive graphic archive. Among other Artworks, he illustrated, in addition to various encyclopedias, El Cielo (The Sky), by the astronomer Comas i Solà; Arte y Monumentos (Art and Monuments), with texts by J. Rodergas i Calmell; Itinerario artista: Cataluña (Artistic Itinerary: Catalonia), with texts by Josep Francesc Ràfols; and 24 volumes of a collection from the Hernando publishing house in Madrid, entitled "La riqueza en la mano" (Wealth in the Hand), which dealt with animal husbandry and agriculture. He signed most of his Artworks with the initials R.C. In his youth, he contributed to the Reus newspapers Reus Artístich and L’Escut de Reus. His paintings were exhibited in Reus and Barcelona, and in 1914 he won first prize for drawing in a competition organized by the Catalan Association of Gràcia. He retired from professional activity in 1940. He died in Barcelona in 1952.

    80 EUR
    End Date: 10/15/26 9:20 PM

Lots next to close

  • Carlos Díaz: "Estación de cercanías" (1993)

    Carlos Díaz Barcelona (1968), Estación de carcanías (1993). Pintor que cultiva un realismo con un asombroso enfoque contemporáneo en cada una de sus obras. Oléo sobre tela 65x92cm, en perfecto estado de conservación.

    3250 EUR
    End Date: 10/5/26 9:20 PM
  • Montse Valdés: "Transmissions" (2006)

    Montse Valdés (Barcelona, 1959), Spain. She developed her technique over five years in Paris and Asia, perfecting the expression of the human form. She is a creator of large-scale Artworks, nude paintings, and figurative pieces. The Artwork, titled "Transmissions," expresses how inner wisdom and knowledge are transmitted from one to another. The rope symbolizes our capacity to combine forces to create movement. Large-scale Artwork, oil on canvas. Dimensions: 73 x 240 cm.

    11750 EUR
    End Date: 10/5/26 9:25 PM
  • Josep Maria Roselló

    Mixed media on paper by Josep María Roselló, titled, signed, and dated. Minor imperfections in the paper, see photos. Artwork from 1973. Born in Tarragona in 1950. Studied at the Tarragona School of Art, the Sant Jordi School of Fine Arts, and printmaking at the Massana School in Barcelona. His teachers were the painters Magda Folch and Guillem Bergnes. Collaborated with the Gran Teatre del Liceu. Lived in Sitges from 1969 to 1983. Drawings for the magazine Escrivim a les parets – Revista de les Arts (Balaguer), the weekly L’Eco de Sitges, El Món (Barcelona), and Bonart magazine (2003). Experimented in the field of music, accompanied by pianist Charles Miles. Since 2003 he has collaborated with articles in Bonart, Diari Avui, Nou Diari, Revista del Center de Lectura de Reus, Diari de Tarragona, El Punt, Caldodecultivo (Tarragona), Més Tarragona, Entitats, the visual poetry magazine Veneno (Córdova), Letras Travestidas (Uruguay).

    460 EUR
    End Date: 10/5/26 9:30 PM
  • Segundo Matilla: untitled drawing

    Drawing from the late 1800s by the painter Segundo Matilla, 22x13 cm, paper yellowed with age, depicting the muleteers of the time. **Segundo Matilla y Marina** (1862-1937) was a prominent Spanish painter, known primarily for his landscapes and genre scenes.

    460 EUR
    End Date: 10/5/26 9:35 PM
  • Muz-Martínez: "Threshold of Presence" - Series: Thresholds" (2026)

    Threshold of Presence Series: Thresholds 100x73 Muz-Martínez In Threshold of Presence, Muz-Martínez places us in that suspended instant between the visible and the intangible, where the figure seems to emerge and dissolve simultaneously. The Artwork is constructed from a constant tension between matter and emptiness, between gesture and silence. The face, barely suggested, does not seek to define itself but rather to be implied, as if it belonged to a liminal space where identity has not yet fully revealed itself. The layers of color, applied with a restrained yet firm gestural style, generate an emotional depth that transcends the purely formal. The composition breathes through subtle contrasts and glazes that invite the viewer to approach, to complete the image from their own perception. There is no closed narrative, but an open experience: a journey towards the essential. This Artwork is part of the Thresholds series, where the artist investigates the limits between the figurative and the abstract, proposing spaces for reflection in which presence is not affirmed, but rather intuited.

    375 EUR
    End Date: 10/5/26 9:40 PM