Menu

Autor: Luis Feito López (1929). Título: Sin título, 2015 Nº 10.

Attention! Start session for bidding for this lot.

SUB_980EZ

Autor: Luis Feito López (1929). Título: Sin título, 2015 Nº 10. Descripción: Grabado sobre plancha de polímero y chiné colé, firmado a lápiz por el artista y numerado en su parte posterior, edición de lujo (limitada a 150) . Medidas: 52,5 x 31,8cm. El lote se envía protegido en paquete de unos 34 x 30cm, por lo que la obra presenta una pequeña doblez en su parte media. Feito fue uno de los principales miembros fundadores del grupo El Paso. Estudió en la Real Academia de Bellas Artes de San Fernando en Madrid. Galardonado con la distinción de Oficial de las Artes y las Letras de Francia en 1985. Medalla de Oro de Bellas Artes en 1998. Miembro de la Real Academia de Bellas Artes de San Fernando. Sus primeros trabajos se inscriben dentro de la pintura figurativa, para posteriormente atravesar una fase en la que experimenta con el cubismo y finalmente adentrarse de lleno en la abstracción. Al principio, sólo usaba colores negros, ocres y blancos, pero una vez que descubrió la potencialidad de la luz, empezó a pintar con colores más vivos y con planos lisos. Evolucionó hasta emplear como contrapunto en sus composiciones el rojo, y, en general, colores más intensos. Durante su trayectoria como artista ha realizado exposiciones por las ciudades más relevantes del mundo. Su obra está repartida entre los museos y colecciones más importantes, tales como el Museo de Bellas Artes de Montreal, La Fundación Guggenheim en Nueva York, el Museo de Arte Moderno de México D.F, el Museo Nacional de Arte Moderno en París o el Museo Nacional Centro de Arte Reina Sofía en Madrid.

Follow this auction
Auction closes:

  2020-3-11 20:20:00

 

The auction is closed

Lots next to close

  • Virgili I/XXX (2025) Woman walking UniversoCristal Monochrom

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/XXX (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, will it be or will it not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:00 PM

  • Virgili I/XXX (2025) Voyagez 2025

    Photograph from a new Monochrom series, titled "Movie Window Displays." Immersing himself with the lens, he creates a journey immersed in the window display, seeking to create a cinematic journey through time, creating nods to past cinematic reflections. 45 x 30 cm, hand-signed, certificate of authenticity. Momoko@Virgili I/XXX Virgili is an artistic photographer with his roots in the world of feature films, having Artworked as a cameraman with directors such as Bigas Luna, Carlos Saura, Fernando Trueba, and others. His Artwork is characterized by a pictorial atmosphere, the use of color, framing, light, speed, and abstraction. These are his main interests when creating an image, not only with the technical effect but also the anecdotal, the will-it-be-won't-it-be-won't-it. He is interested in people interpreting his photography, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to make it unsettling, to make it seem as if the print will start moving at any moment, creating figures that only the first-person viewer will be able to identify. It makes it clear that it's not just a photograph, but that the viewer can interpret it as a frame from their imagination. The technique he prefers to use for his photographic Artworks: mixed, simple, direct, and manual, without any digital process with the baryta paper used primarily in black and white photography.

    225 EUR
    End Date: 10/27/26 6:05 PM

  • Virgili "Girona when the temps saturates" I/XXX (2025)

    53 x 30 cm. Girona quan el temps satura. Signed on the back in pencil, certificate of authenticity MOMOKO IXXX (Paris, 1965). A photographer specializing in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, these are his greatest interest when creating an image, not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is for it to be disturbing, to seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, without any digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapts it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle, Vilopriu, Girona 2013 La Salle le Stop, by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou, Barcelona 2015 Galleria Sky Barcelona - 2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:10 PM

  • Virgili "La Jacket MetáliKa Monochrom" I/XXX (2025)

    30 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    222 EUR
    End Date: 10/27/26 6:15 PM

  • Virgili "Virgili "Papillon Metáliko II Monochrom " I/XXX (2025) Monochrom " I/XXX (2025)

    53 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:20 PM