Menu

Daniel Argimón: "S/T" (1989)

Attention! Start session for bidding for this lot.

SUB_I9WRN

Autor: Daniel Argimon (Barcelona, 1929–1996). Título: S/T (1989). Número 5 de una edición de 30 unidades. Descripción: Litografia sobre papel. Se adjunta certificado de autenticidad. Medidas sin marco 77x111 cm. Obra en buenas condiciones. Considerado uno de los artistas mas importantes de la pintura informalista catalana. Sus inicios se sitúan en 1952, cuando empieza a trabajar como grabador y estampador en el taller de su abuelo, lo cual le permite familiarizarse con las técnicas de un oficio artístico al cual siempre tendrá gran estima. En 1965 va a París para perfeccionar sus trabajos con la litografía, becado por el Instituto Francés de Barcelona. Se gradúa en la "Llotja" de Barcelona y ejerce como profesor de litografía en el conservatorio de las Artes del Libro. También fue profesor de dibujo en el Liceo Francés. En 1983 se licencia en Bellas Artes en la Universidad de Barcelona. Desde el primario expresionismo, va adoptando cada vez más un lenguaje informal, iniciando un proceso de valoración de la materia que le lleva a un informalismo expresionista. Sus obras se hallan en distintos museos y colecciones de Europa y América.

Follow this auction
Auction closes:

  2018-4-11 22:00:00

 

The auction is closed

Lots from the same artist

  • Daniel Argimón: "Falques amb vermell" (1987)

    Author: Daniel Argimon (Barcelona, 1929–1996). Title: Falques amb vermell (1987). Description: Mixed media on wood. Certificate of authenticity included. Dimensions without frame: 73 x 84 cm. ArtArtwork in good condition. Considered one of the most important artists of Catalan Informalism. His beginnings date back to 1952, when he began Artworking as an engraver and printer in his grandfather's Artworkshop, which allowed him to become familiar with the techniques of an artistic craft he would always hold in high esteem. In 1965, he went to Paris to perfect his lithography Artwork, on a scholarship from the French Institute of Barcelona. He graduated from the Llotja School of Fine Arts in Barcelona and Artworked as a lithography professor at the Conservatory of Book Arts. He also taught drawing at the French Lycée. In 1983, he graduated with a degree in Fine Arts from the University of Barcelona. From his early expressionist style, he gradually adopted an informal language, beginning a process of valuing materials that led him to an expressionist informalism. His Artworks are found in various museums and collections in Europe and America.

    10000 EUR
    End Date: 11/9/26 8:30 PM

  • Daniel Argimón: "Untitled" (1986)

    Artist: Daniel Argimon (Barcelona, 1929–1996). Title: Untitled (1986). Description: Mixed media on canvas. Certificate of authenticity included. Dimensions without frame: 66 x 54 cm. ArtArtwork in good condition. Considered one of the most important artists of Catalan Informalism. His beginnings date back to 1952, when he began Artworking as an engraver and printer in his grandfather's Artworkshop, which allowed him to become familiar with the techniques of an artistic craft he would always hold in high esteem. In 1965, he went to Paris to perfect his lithography Artwork, on a scholarship from the French Institute of Barcelona. He graduated from the Llotja School of Fine Arts in Barcelona and Artworked as a lithography professor at the Conservatory of Book Arts. He also taught drawing at the French Lycée. In 1983, he earned a degree in Fine Arts from the University of Barcelona. From his early expressionist style, he gradually adopted an informal language, beginning a process of valuing materials that led him to an expressionist informalism. His Artworks are found in various museums and collections in Europe and America.

    6000 EUR
    End Date: 11/9/26 8:35 PM

Lots next to close

  • Virgili I/XXX (2025) Woman walking UniversoCristal Monochrom

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/XXX (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, will it be or will it not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:00 PM

  • Virgili I/XXX (2025) Voyagez 2025

    Photograph from a new Monochrom series, titled "Movie Window Displays." Immersing himself with the lens, he creates a journey immersed in the window display, seeking to create a cinematic journey through time, creating nods to past cinematic reflections. 45 x 30 cm, hand-signed, certificate of authenticity. Momoko@Virgili I/XXX Virgili is an artistic photographer with his roots in the world of feature films, having Artworked as a cameraman with directors such as Bigas Luna, Carlos Saura, Fernando Trueba, and others. His Artwork is characterized by a pictorial atmosphere, the use of color, framing, light, speed, and abstraction. These are his main interests when creating an image, not only with the technical effect but also the anecdotal, the will-it-be-won't-it-be-won't-it. He is interested in people interpreting his photography, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to make it unsettling, to make it seem as if the print will start moving at any moment, creating figures that only the first-person viewer will be able to identify. It makes it clear that it's not just a photograph, but that the viewer can interpret it as a frame from their imagination. The technique he prefers to use for his photographic Artworks: mixed, simple, direct, and manual, without any digital process with the baryta paper used primarily in black and white photography.

    225 EUR
    End Date: 10/27/26 6:05 PM

  • Virgili "Girona when the temps saturates" I/XXX (2025)

    53 x 30 cm. Girona quan el temps satura. Signed on the back in pencil, certificate of authenticity MOMOKO IXXX (Paris, 1965). A photographer specializing in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, these are his greatest interest when creating an image, not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is for it to be disturbing, to seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, without any digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapts it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle, Vilopriu, Girona 2013 La Salle le Stop, by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou, Barcelona 2015 Galleria Sky Barcelona - 2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:10 PM

  • Virgili "La Jacket MetáliKa Monochrom" I/XXX (2025)

    30 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    222 EUR
    End Date: 10/27/26 6:15 PM

  • Virgili "Virgili "Papillon Metáliko II Monochrom " I/XXX (2025) Monochrom " I/XXX (2025)

    53 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 10/27/26 6:20 PM