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Author: Eduardo Chillida (San Sebastián 1924 - 2002). Title: Original engraving Derrière le Miroir (1980). Description: Original embossed engraving made by Chillida for the magazine Derrière le Miroir in 1980. Measurements without frame 38x28 cm. Artwork in good condition with signs of age.
Author: Eduardo Chillida. Title: Tribute to Aime Maeght. Description: Poster on lithographic paper, signed on the plate, produced in a limited edition for the 2020-2021 exhibition. Unframed dimensions: 43x57 cm. ArtArtwork in good condition.
Author: Eduardo Chillida (San Sebastián 1924 - 2002). Title: Original engraving Derrière le Miroir (1980). Description: Original embossed engraving created by Chillida for the magazine Derrière le Miroir in 1980. Dimensions without frame: 38 x 28 cm. Artwork in perfect condition.
Author: Eduardo Chillida (San Sebastián 1924 - 2002). Title: Sculptural Sketches (1980). Description: 4 original sketches of Derrière le Miroir lithographed on tracing paper. Published by Maegth in 1980. Dimensions of each of the 4 sheets: 38x28 cm. Artworks in perfect condition.
Author: Eduardo Chillida. Title: Hand (2001). Description: Offset print on 250 gsm Fabriano Accademia paper of the artist's original aquatint. Published in the artist's sketchbook of Matador magazine, 2001 (Volume B). Dimensions without frame: 40 x 30.5 cm. ArtArtwork in perfect condition.
Montse Valdés (Barcelona, 1959), Spain. She developed her technique over five years in Paris and Asia, perfecting the expression of the human form. She is a creator of large-scale Artworks, nude paintings, and figurative pieces. The Artwork, titled "Transmissions," expresses how inner wisdom and knowledge are transmitted from one to another. The rope symbolizes our capacity to combine forces to create movement. Large-scale Artwork, oil on canvas. Dimensions: 73 x 240 cm.
Mixed media on paper by Josep María Roselló, titled, signed, and dated. Minor imperfections in the paper, see photos. Artwork from 1973. Born in Tarragona in 1950. Studied at the Tarragona School of Art, the Sant Jordi School of Fine Arts, and printmaking at the Massana School in Barcelona. His teachers were the painters Magda Folch and Guillem Bergnes. Collaborated with the Gran Teatre del Liceu. Lived in Sitges from 1969 to 1983. Drawings for the magazine Escrivim a les parets – Revista de les Arts (Balaguer), the weekly L’Eco de Sitges, El Món (Barcelona), and Bonart magazine (2003). Experimented in the field of music, accompanied by pianist Charles Miles. Since 2003 he has collaborated with articles in Bonart, Diari Avui, Nou Diari, Revista del Center de Lectura de Reus, Diari de Tarragona, El Punt, Caldodecultivo (Tarragona), Més Tarragona, Entitats, the visual poetry magazine Veneno (Córdova), Letras Travestidas (Uruguay).
Drawing from the late 1800s by the painter Segundo Matilla, 22x13 cm, paper yellowed with age, depicting the muleteers of the time. **Segundo Matilla y Marina** (1862-1937) was a prominent Spanish painter, known primarily for his landscapes and genre scenes.
Threshold of Presence Series: Thresholds 100x73 Muz-Martínez In Threshold of Presence, Muz-Martínez places us in that suspended instant between the visible and the intangible, where the figure seems to emerge and dissolve simultaneously. The Artwork is constructed from a constant tension between matter and emptiness, between gesture and silence. The face, barely suggested, does not seek to define itself but rather to be implied, as if it belonged to a liminal space where identity has not yet fully revealed itself. The layers of color, applied with a restrained yet firm gestural style, generate an emotional depth that transcends the purely formal. The composition breathes through subtle contrasts and glazes that invite the viewer to approach, to complete the image from their own perception. There is no closed narrative, but an open experience: a journey towards the essential. This Artwork is part of the Thresholds series, where the artist investigates the limits between the figurative and the abstract, proposing spaces for reflection in which presence is not affirmed, but rather intuited.
Javier Arizabalo, born in Saint-Jean-de-Luz, April 1965. The Artwork is an oil painting on polyester. Titled "Guillermo," it measures 73 x 60 cm (height x width) and is in perfect condition. In this Artwork, Javier Arizabalo constructs an image of profound emotional and spiritual intensity, where the human figure emerges from the darkness enveloped in an atmosphere of silence and contemplation. The scene, illuminated only by the faint flame of a candle, evokes the tradition of Baroque chiaroscuro and the great Spanish classical painting, establishing a dialogue between contemporary realism and timeless spirituality. The upward gaze of the figure, full of introspection and contemplation, transforms the composition into a reflection on human fragility, faith, the passage of time, and the inner search. Light acts as a symbolic and structural element, modeling the face and hands with extraordinary technical sensitivity, while the red garments add drama and a powerful emotional charge. In this Artwork, Arizabalo demonstrates an outstanding mastery of anatomy, textures, and lighting, achieving a painting of great narrative power and remarkable technical virtuosity. The result is an image that transcends physical representation to inhabit a profoundly human and universal realm, where emotion and painting merge into a single language. A Artwork of great visual intensity and technical refinement that confirms the artist's ability to renew the realist tradition from a contemporary and deeply poetic perspective. Signed lower right
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CIF: B66516378
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