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ESLAVA: S/T

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SUB_U3R0B

ESLAVA S/T Litografía firmada y numerada a lápiz por el artista 55/100 50x65

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Auction closes:

  2019-11-19 20:10:00

 

The auction is closed

Lots from the same artist

  • Dis Berlin: "Circuit: Virtuosity, 2005" 75/99

    Author: Dis Berlin (Ciria, Soria, 1959). Title: "Circuit: Virtuosity, 2005". Description: screen printing with manual intervention. Signed in pencil by the artist and numbered 75/99. Measurements without frame 100x70 cm. Artwork in good general conditions. Small crease in one of the corners.

    190 EUR
    End Date: 5/8/24 8:05 PM

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  • Esther Girbau: "Sea Abstraction"

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    End Date: 4/29/24 9:50 PM

  • Joan Granados LLimona "Crowd" (1980)

    Original drawing by Joan Granados Llimona Title: "Crowds" Technique: Charcoal on cardboard. Size: 50 x 72cm Signed by the artist in the lower left margin and dated 80. In good condition, except for a fold in the paper on the left half of the Artwork, as can be seen in the photograph. On the other hand, the margins of the paper are a little wrinkled but these do not affect the Artwork. Unframed.

    90 EUR
    End Date: 4/29/24 9:55 PM

  • Jose Antonio Scaco. "Landscape". Crayons on paper. Hand signed. 1996. 35x50 cm. 25x35 cm without the mat.

    Jose Antonio Scaco. "Landscape". Crayons on paper. Hand signed. 1996. 35x50 cm. 25x35 cm without the mat. He was born in Mendoza in 1930 and died in the same city on April 16, 2017. After some forays into technical drawing and at the Open Air Sunday School of Drawing and Painting, directed by Vicente Lahir Estrella, he studied at the Provincial School of Fine Arts of Mendoza graduating in 1970, later being a teacher at the same institution. He participated in more than one hundred 100 collectives in Mendoza and other cities in Argentina. He exhibited individually at the Zulema Zoireff de Mendoza gallery in 1978 and 1982, in Buenos Aires, Spain, Chile, Mexico, Ecuador, Emiliano Guiñazú Casa de Fader Museum in 1991 and 2010 and Espacio Contemporáneo de Arte in 2005. He attended more than one hundred collective . He started late but he quickly acquired the technique and in a few years he achieved the style that identifies him. The simple landscapes of his beginnings were transformed into surreal scenes and then returned to them with another approach, with greater light divisions and details, in a baroque process of arduous preparation. (Eduardo Baliari; Andrés Cáceres, Diario Los Andes, October 25, 2005; Mercedes Fernández, Diario Los Andes, September 3, 2016.

    190 EUR
    End Date: 4/30/24 6:05 PM