Antonio Beneyto. Ink and color drawing on paper. Surrealism. Unsigned. 40.5x26.5 cm.
Antonio Beneyto. Ink and color drawing on paper. Surrealism. Unsigned. 40.5x26.5 cm. On a sheet with a central fold.
End Date: 11/13/24 7:10 PM
Attention! Start session for bidding for this lot.
Inma Escrich painted this oil on canvas titled "After the rain" in 2024. The Artwork, which is in perfect condition, measures 73 cm x 50 cm. It bears the author's signature in the lower left corner. A certificate of authenticity will be included.
Antonio Beneyto. Ink and color drawing on paper. Surrealism. Unsigned. 40.5x26.5 cm. On a sheet with a central fold.
Author: Rachel Mizpah (Raquel Pacual García, Palencia, 1973). Title: Maternity. From the exhibition "Visiones", Madrid, 2015. Description: oil on canvas hand-signed by the artist. Certificate of authenticity is attached. Measures without frame 28x23 cm. Artwork in good condition. Rachel Mizpah (Raquel Pascual García), Palencia 1973. Madrileña by adoption, it is in this city where most of her activity takes place. Multifaceted and tremendously urban artist, painter and musical composer. Finalist for the 2015 New York Artslant Prize, painting. Training - Estudio Nieves Solana (Madrid), Rietvelt Academie of Amsterdam, plastic arts; UCLA University, Los Angeles, film direction, Escuela de la Palma (Madrid), mural painting.
Author: Rachel Mizpah (Palencia, 1973). Title: Empty Town with Ghosts. Description: Oil on canvas. Certificate of authenticity on request. Signed. 33X41 cms.. Renowned international artist, painter, performer and music composer. Artwork in good condition. Rachel Mizpah, Palencia 1973. Finalist for the New York Artslant Prize 2015, painting. Training - Estudio Nieves Solana (Madrid), Rietvelt Academie of Amsterdam, plastic arts; UCLA University, Los Angeles, film direction, Escuela de la Palma (Madrid), mural painting. Solo Exhibitions "Octopuses and decisions", Sala Cicelly, Madrid, 2003; paint. "Crematory Freezing Chamber", Sala Artépolis, Madrid, 2004: installation. "Terrestrial Projection", Carmen de la Guerra Gallery; installation (projections, music, performance). Madrid, 2003. In 2009 he performed the performance-concert "The Cup of God's Wrath" (Sala Pira'mide). Collective exhibitions "Neti,neti" Collective exhibition Mexican artists, performance. Salon México, Institute of México-Embassy of Spain. (Madrid, 2002); curated by Gabriel Santamarina (Mexico). Collective exhibition Nieves Solana studio. "Concert for Hoover and Hair-dryer", Rietvelt Academie, Amsterdam 1995. Performance/installation. "Go to the second room", Rietvelt Academy, Amsterdam. Installation. "Trapezio-Experimento" Exhibition, "La Hui'da" room, Madrid, 2013. Arco Fairs and Exhibitions, Lipanjepuntin room, Italy. 2002. Installation/performance. "Pidgeon T.V.", Rietvelt Academie (TV + installation). Amsterdam. At the end of 2007 he resumed his artistic career with "Orquestas Hexagonales" (musical installation). In February 2010, the music video "Agua Viva" came to light, shown in Barcelona, Pari's and Rosario (Argentina), within the scope of the VideoLab festival. Exhibition "Spirit
Author: Rachel Mizpah (Raquel Pacual García, Palencia, 1973). Title: Quit smoking miraculously. Description: Gouache, inks, mixed media. 50x40 cm. Certificate of authenticity on request. Pastepartout and black frame. Author: Rachel Mizpah (Palencia, 1973). Title: Empty Town with Ghosts. Description: Oil on canvas. Certificate of authenticity on request. Signed. 33X41 cms.. Renowned international artist, painter, performer and music composer. Artwork in good condition. Rachel Mizpah, Palencia 1973. Finalist for the New York Artslant Prize 2015, painting. Training - Estudio Nieves Solana (Madrid), Rietvelt Academie of Amsterdam, plastic arts; UCLA University, Los Angeles, film direction, Escuela de la Palma (Madrid), mural painting. Solo Exhibitions "Octopuses and decisions", Sala Cicelly, Madrid, 2003; paint. "Crematory Freezing Chamber", Sala Artépolis, Madrid, 2004: installation. "Terrestrial Projection", Carmen de la Guerra Gallery; installation (projections, music, performance). Madrid, 2003. In 2009 he performed the performance-concert "The Cup of God's Wrath" (Sala Pira'mide). Collective exhibitions "Neti, neti", performance. Salon México, Institute of México-Embassy of Spain. (Madrid, 2002); curated by Gabriel Santamarina (Mexico). Collective exhibition Nieves Solana studio. "Concert for Hoover and Hair-dryer", Rietvelt Academie, Amsterdam 1995. Performance/installation. "Go to the second room", Rietvelt Academie, Amsterdam, Installation. "Trapezio-Experimento" Exhibition, "La Hui'da" room, Madrid, 2013. Arco Fairs and Exhibitions, Lipanjepuntin room, Italy. 2002. Installation/performance. "Pidgeon T.V.", Rietvelt Academie (TV + installation). Amsterdam. At the end of 2007 he resumed his artistic career with "Orquestas Hexagonales" (musical installation). In February 2010 it comes out
Author: Benito Prieto Coussent (1907-2001). Title: Christ on the Cross (1948). Description: oil on canvas. Unframed measurements 252x186x5 cm. Artwork in good condition with signs of age. Frame with minor flaws. The first of the four versions of the dead crucified Christ that Prieto Coussent painted and that has been in a private collection since the 1950s. The most representative work of Prieto Coussent is undoubtedly this dead crucified Christ, it is dated 1948, a painting that drastically marked his career. A work of very long gestation, it was preceded by a multitude of studies and sketches, with which the painter was never satisfied, and of which he ended up remaking and destroying in many cases. Furthermore, the painter encountered numerous and very serious difficulties that made the project even more difficult. Finally, the first version of the painting was exhibited at the National Exhibition of Fine Arts in Madrid. The social impact of the work was enormous, giving rise to a multitude of criticisms and comments, for and against, which was echoed by the national and international press. It was a crude and terrible vision of a Christ that broke with the prevailing iconography until now. Awarded with a medal, she went to a private collection in Barcelona when the author renounced the honor and the prize awarded. The second version from 1951 was exhibited at the First Biennial of Hispano-American Art in Madrid in 1952 with its current whereabouts unknown. The third version from 19060-61, called Cristo de La Paz, was exhibited in Granada at the Bibataubín Palace in 1961. It is also unaccounted for. The most famous of the four Cristos de Prieto is the so-called Cristo de Kennedy, the fourth and last version of the theme and is a tribute to the assassinated president. The painting was exhibited in the Kennedy Library-Museum of Harvard University in the United States and since 2015, it is exhibited in the Church of Santa María de la Alhambra in Granada. Request a shipping quote.