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Author: Jaume Plensa (Barcelona, 1955). Title: Untitled (1988). Description: Lithograph on Michel paper in original folder. Signed in pencil by the artist and numbered 0076/1000. Additional signature by Josep Carreras. Dimensions without frame: 70 x 50 cm. Plate dimensions: 50 x 35 cm. Artwork in good condition.
Author: Jaume Plensa (Barcelona, 1955). Title: International Day of the Persecuted Writer (2008). Description: Poster published by PEN Català to commemorate the International Day of the Persecuted Writer. Dimensions without frame: 68 x 59 cm. ArtArtwork in good condition with signs of age.
Author: Jaume Plensa (Barcelona, 1955). Title: IVAM 2007-2008. Description: Poster published for the exhibition at the Institut Valencià d'Art Modern between November 2007 and February 2008. Dimensions without frame: 49 x 96 cm. ArtArtwork in good condition with signs of age.
Copy 205 of 999 of the bibliophile book, consisting of a copper case and a cardboard case lined with black cloth, containing an engraving, 23 diptychs and 6 triptychs of handmade paper accompanied by six copper transparencies. . Dimensions of the copper case: 38.9 x 28.3 x 6.9 cm. . Dimensions of the cardboard case lined with black cloth: 38.5 x 28 x 6.4 cm. . Format of the engraving sheet, the diptychs and the triptychs: 25.5 x 35 cm. . Format of the copper transparencies: 22.5 x 32 cm. . Diptychs and triptychs: texts printed with magnesium metal engravings on 120-gram handmade paper, made from virgin cotton and eucalyptus fibres. DESCRIPTION OF THE EDITIONS There have been two editions of this Artwork: Deluxe edition . 999 copies numbered from 1/999 to 999/999. . Numbered copper case with Jaume Plensa's laser-engraved signature. . Calcographic engraving, based on a drawing by Jaume Plensa, on 300-gram handmade paper, made from virgin cotton and eucalyptus fibres, the Ca l'Oliver paper mill. Collector's edition . 75 copies numbered from 1/75 to 75/75, signed by Jaume Plensa. . Copper case numbered and signed by hand by Jaume Plensa. . Calcographic engraving on handmade paper, with cotton fiber, in the Capellades Paper Mill Museum, signed and numbered by Jaume Plensa from 1/75 to 75/75.
Author: Jaume Plensa (Barcelona, 1955). Title: Le visage volé (2021). Description: Etching on 200-gram handmade paper. Signed in pencil by the artist and numbered 8/15. Printed by the Tinta Invisible Artworkshop in Barcelona. Unframed dimensions: 40 x 32.5 cm. Plate dimensions: 21 x 15 cm. Artwork in good condition.
Author: Jaume Plensa (Barcelona, 1955). Title: Reflections III (2024). Description: Etching on paper. Fabriano Tiepolo paper, 290 grams. Signed in pencil by the artist and numbered 33/75. Dimensions without frame: 65 x 71 cm. Plate dimensions: 44.5 x 60 cm. Artwork in good condition.
Carlos Díaz Barcelona (1968), Estación de carcanías (1993). Pintor que cultiva un realismo con un asombroso enfoque contemporáneo en cada una de sus obras. Oléo sobre tela 65x92cm, en perfecto estado de conservación.
Montse Valdés (Barcelona, 1959), Spain. She developed her technique over five years in Paris and Asia, perfecting the expression of the human form. She is a creator of large-scale Artworks, nude paintings, and figurative pieces. The Artwork, titled "Transmissions," expresses how inner wisdom and knowledge are transmitted from one to another. The rope symbolizes our capacity to combine forces to create movement. Large-scale Artwork, oil on canvas. Dimensions: 73 x 240 cm.
Mixed media on paper by Josep María Roselló, titled, signed, and dated. Minor imperfections in the paper, see photos. Artwork from 1973. Born in Tarragona in 1950. Studied at the Tarragona School of Art, the Sant Jordi School of Fine Arts, and printmaking at the Massana School in Barcelona. His teachers were the painters Magda Folch and Guillem Bergnes. Collaborated with the Gran Teatre del Liceu. Lived in Sitges from 1969 to 1983. Drawings for the magazine Escrivim a les parets – Revista de les Arts (Balaguer), the weekly L’Eco de Sitges, El Món (Barcelona), and Bonart magazine (2003). Experimented in the field of music, accompanied by pianist Charles Miles. Since 2003 he has collaborated with articles in Bonart, Diari Avui, Nou Diari, Revista del Center de Lectura de Reus, Diari de Tarragona, El Punt, Caldodecultivo (Tarragona), Més Tarragona, Entitats, the visual poetry magazine Veneno (Córdova), Letras Travestidas (Uruguay).
Drawing from the late 1800s by the painter Segundo Matilla, 22x13 cm, paper yellowed with age, depicting the muleteers of the time. **Segundo Matilla y Marina** (1862-1937) was a prominent Spanish painter, known primarily for his landscapes and genre scenes.
Threshold of Presence Series: Thresholds 100x73 Muz-Martínez In Threshold of Presence, Muz-Martínez places us in that suspended instant between the visible and the intangible, where the figure seems to emerge and dissolve simultaneously. The Artwork is constructed from a constant tension between matter and emptiness, between gesture and silence. The face, barely suggested, does not seek to define itself but rather to be implied, as if it belonged to a liminal space where identity has not yet fully revealed itself. The layers of color, applied with a restrained yet firm gestural style, generate an emotional depth that transcends the purely formal. The composition breathes through subtle contrasts and glazes that invite the viewer to approach, to complete the image from their own perception. There is no closed narrative, but an open experience: a journey towards the essential. This Artwork is part of the Thresholds series, where the artist investigates the limits between the figurative and the abstract, proposing spaces for reflection in which presence is not affirmed, but rather intuited.
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CIF: B66516378
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