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Suggested Title: FUENTERRABIA, 2021/2026 Technique: Acrylic on panel Dimensions: 100 x 81 cm Year: 2026 Description: The Artwork unfolds an urban scene charged with atmosphere and evocation, where traditional architecture becomes the protagonist of a moment suspended in time. A cobblestone street gently ascends towards a monumental arch that acts as a threshold between shadow and light, inviting the viewer to cross into the unknown. The artist constructs the space through a masterful interplay of contrasts: the warm ochres and golds of the facades converse with the deep blues and damp shadows of the pavement, creating a visual tension that lends depth and dynamism. The brushstrokes, loose yet decisive, suggest more than they describe, allowing the eye to fill in the details and lose itself in the vibrant texture of the walls and balconies. Small touches of color—the lit flowerpots, the hinted vegetation—bring life and warmth to the scene, humanizing a seemingly silent environment. Light, the undisputed protagonist, filters and bounces, marking the rhythm of the composition and guiding the eye toward the central arch, a symbol of passage, memory, and mystery. This piece represents not only a place, but an emotion: the feeling of walking through streets steeped in history, where every stone and every shadow holds invisible stories. A Artwork of great narrative and aesthetic power, ideal for collectors seeking contemporary painting with a classic soul and urban sensibility. It is made with high-quality materials, and shipping will be fast and secure.
Carlos Díaz Barcelona (1968), Estación de carcanías (1993). Pintor que cultiva un realismo con un asombroso enfoque contemporáneo en cada una de sus obras. Oléo sobre tela 65x92cm, en perfecto estado de conservación.
Montse Valdés (Barcelona, 1959), Spain. She developed her technique over five years in Paris and Asia, perfecting the expression of the human form. She is a creator of large-scale Artworks, nude paintings, and figurative pieces. The Artwork, titled "Transmissions," expresses how inner wisdom and knowledge are transmitted from one to another. The rope symbolizes our capacity to combine forces to create movement. Large-scale Artwork, oil on canvas. Dimensions: 73 x 240 cm.
Mixed media on paper by Josep María Roselló, titled, signed, and dated. Minor imperfections in the paper, see photos. Artwork from 1973. Born in Tarragona in 1950. Studied at the Tarragona School of Art, the Sant Jordi School of Fine Arts, and printmaking at the Massana School in Barcelona. His teachers were the painters Magda Folch and Guillem Bergnes. Collaborated with the Gran Teatre del Liceu. Lived in Sitges from 1969 to 1983. Drawings for the magazine Escrivim a les parets – Revista de les Arts (Balaguer), the weekly L’Eco de Sitges, El Món (Barcelona), and Bonart magazine (2003). Experimented in the field of music, accompanied by pianist Charles Miles. Since 2003 he has collaborated with articles in Bonart, Diari Avui, Nou Diari, Revista del Center de Lectura de Reus, Diari de Tarragona, El Punt, Caldodecultivo (Tarragona), Més Tarragona, Entitats, the visual poetry magazine Veneno (Córdova), Letras Travestidas (Uruguay).
Drawing from the late 1800s by the painter Segundo Matilla, 22x13 cm, paper yellowed with age, depicting the muleteers of the time. **Segundo Matilla y Marina** (1862-1937) was a prominent Spanish painter, known primarily for his landscapes and genre scenes.
Threshold of Presence Series: Thresholds 100x73 Muz-Martínez In Threshold of Presence, Muz-Martínez places us in that suspended instant between the visible and the intangible, where the figure seems to emerge and dissolve simultaneously. The Artwork is constructed from a constant tension between matter and emptiness, between gesture and silence. The face, barely suggested, does not seek to define itself but rather to be implied, as if it belonged to a liminal space where identity has not yet fully revealed itself. The layers of color, applied with a restrained yet firm gestural style, generate an emotional depth that transcends the purely formal. The composition breathes through subtle contrasts and glazes that invite the viewer to approach, to complete the image from their own perception. There is no closed narrative, but an open experience: a journey towards the essential. This Artwork is part of the Thresholds series, where the artist investigates the limits between the figurative and the abstract, proposing spaces for reflection in which presence is not affirmed, but rather intuited.
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CIF: B66516378
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