Joan Miró - Graphic Work
Author: Joan Miró, Title: Graphic Artwork. Description: Poster for the Joan Miró exhibition held in Valencia in April and May 1982. Measurements: 76 x 56 cm. Measures. Artwork in good condition
End Date: 10/6/26 7:55 PM
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Autor: Joan Miró. Título: Sol rojo. Descripción: litografía creada por Miró en 1972 . Editada por Polígrafa obra gráfica de Barcelona. Referencia Catálogo razonado Mourlout número 859. Impreso "Litografía original III" al dorso. Medidas sin marco 34x26 cm.
Author: Joan Miró, Title: Graphic Artwork. Description: Poster for the Joan Miró exhibition held in Valencia in April and May 1982. Measurements: 76 x 56 cm. Measures. Artwork in good condition
Author: Joan Miró (1893-1983). Title: El Pi de Formentor (1976). Description: Lithograph avant la lettre, first state in black. Published by Sala Gaspar, Barcelona. Unframed dimensions: 81.5 x 58 cm. Framed. Artwork in good condition with signs of age.
Author: Joan Miró (1893-1983). Title: Umbracle. Description: Description: Lithography on Guarro paper with watermark from the Gaspar Room and signed in pencil by the artist. Exemplary P.A. (Artist's proof). This copy belongs to the "avant la lettre" circulation, the publisher being Sala Gaspar (Barcelona), and the printer Puresa (Barcelona). The film "Umbracle" was directed by Pere Portabella, starring Christofer Lée and Janine Mestres. The script was written by the filmmaker Pere Portabella and the poet Joan Brossa. For the occasion, 500 posters were printed on plain paper measuring 78x6 cm, and 50 copies like the one offered here (on Guarro paper and with watermark from the Gaspar Room) measuring 74.5x56 cm, signed and justified out of 50. Artwork in good condition with signs of age.
Author: Joan Miró, Title: Anys vint. Description: Poster announcing the Joan Miró exhibition held in Barcelona in April 1983. Measurements: 69 x 50 cm. Artwork in good condition
Author: Joan Miró (1893-1983). Title: A la encre II. Description: original unsigned lithograph. It belongs to the book "Indelible Miró", Maeght editeurs, Paris. Printed by Fernand Morlot, Paris in 1972. Measurements without frame 34.5x25.5 cm. Artwork in good condition.
Carlos Díaz Barcelona (1968), Estación de carcanías (1993). Pintor que cultiva un realismo con un asombroso enfoque contemporáneo en cada una de sus obras. Oléo sobre tela 65x92cm, en perfecto estado de conservación.
Montse Valdés (Barcelona, 1959), Spain. She developed her technique over five years in Paris and Asia, perfecting the expression of the human form. She is a creator of large-scale Artworks, nude paintings, and figurative pieces. The Artwork, titled "Transmissions," expresses how inner wisdom and knowledge are transmitted from one to another. The rope symbolizes our capacity to combine forces to create movement. Large-scale Artwork, oil on canvas. Dimensions: 73 x 240 cm.
Mixed media on paper by Josep María Roselló, titled, signed, and dated. Minor imperfections in the paper, see photos. Artwork from 1973. Born in Tarragona in 1950. Studied at the Tarragona School of Art, the Sant Jordi School of Fine Arts, and printmaking at the Massana School in Barcelona. His teachers were the painters Magda Folch and Guillem Bergnes. Collaborated with the Gran Teatre del Liceu. Lived in Sitges from 1969 to 1983. Drawings for the magazine Escrivim a les parets – Revista de les Arts (Balaguer), the weekly L’Eco de Sitges, El Món (Barcelona), and Bonart magazine (2003). Experimented in the field of music, accompanied by pianist Charles Miles. Since 2003 he has collaborated with articles in Bonart, Diari Avui, Nou Diari, Revista del Center de Lectura de Reus, Diari de Tarragona, El Punt, Caldodecultivo (Tarragona), Més Tarragona, Entitats, the visual poetry magazine Veneno (Córdova), Letras Travestidas (Uruguay).
Drawing from the late 1800s by the painter Segundo Matilla, 22x13 cm, paper yellowed with age, depicting the muleteers of the time. **Segundo Matilla y Marina** (1862-1937) was a prominent Spanish painter, known primarily for his landscapes and genre scenes.
Threshold of Presence Series: Thresholds 100x73 Muz-Martínez In Threshold of Presence, Muz-Martínez places us in that suspended instant between the visible and the intangible, where the figure seems to emerge and dissolve simultaneously. The Artwork is constructed from a constant tension between matter and emptiness, between gesture and silence. The face, barely suggested, does not seek to define itself but rather to be implied, as if it belonged to a liminal space where identity has not yet fully revealed itself. The layers of color, applied with a restrained yet firm gestural style, generate an emotional depth that transcends the purely formal. The composition breathes through subtle contrasts and glazes that invite the viewer to approach, to complete the image from their own perception. There is no closed narrative, but an open experience: a journey towards the essential. This Artwork is part of the Thresholds series, where the artist investigates the limits between the figurative and the abstract, proposing spaces for reflection in which presence is not affirmed, but rather intuited.