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Author: Joaquim Chancho (Riudoms, Tarragona, 1943). Title: Montserrat Series 8 (2011). Description: Etching signed in pencil by the artist and numbered 5/50. Frameless measures 58x77 cm. Artwork in good condition.
Author: Joaquim Chancho (Riudoms, Tarragona, 1943). Title: Montserrat 7 Series (2011). Description: Etching signed in pencil by the artist and numbered 30/50. Measures without frame 58x77 cm. Artwork in good condition.
Author: Neus Colet (Barcelona, 1963). Title: Dits 4. Description: handmade paper made in 2022 by the artist Neus Colet. Measures 44.5x20.5 cm. Certificate of authenticity is attached. Artwork in good condition. Neus Colet studied at the Faculty of Fine Arts of the University of Barcelona. She is an engraver and sculptor, techniques that she Artworks individually or juxtaposed. His Artwork is a recreation of everyday objects to which he brings a playful, ironic and evocative character. Pulleys, gears, cars, wheels... are some of the recurring elements in his Artworks, which in addition to being evocative, also provide movement and dynamism. Among the materials used by this sculptor, iron stands out, a material that is hard and cold in itself but that she Artworks with mastery, imprinting warmth and proximity and achieving different textures and effects. Sometimes, he Artworks iron with engraving, increasing the discourse of his sculptural Artworks. Numerous national exhibitions and also at a European level -Italy, France, Austria, Holland, Germany...- endorse this artist and her consolidated career.
Julio Le Parc. Psychedelic glasses with catalogue. Rene Metras Gallery. 1969. Without cardboard box. Denise Rene Gallery. The glasses measure 14x6 cm and the catalog 30x31 cm. good condition The original cardboard box from the René Metras gallery has not been kept due to its poor condition.
Joaquim Muntañola. Ink drawing “The Canaletas streetlight, illuminated”. Hand signed. 25x19cm.
Original lithograph signed by the artists Bartolozzi (1943 - 2009) and Arranz-Bravo (1941). Artwork from 1973, with an edition of 150 copies. Overall dimensions: 74 cm x 55 cm. Image dimensions: 64 x 50 cm. In good condition with small moisture defects on the bottom, not very visible as a whole. Frameless. Numbered 97/125 and hand-signed in pencil. Bartolozzi, for example, like Arranz-Bravo and other artists, subscribed to the recovery of figuration and pop art, a movement of which he was one of the most significant Spanish artists. Abstraction, informalism, and the conceptual and objectual aspect were also common to both, with the particularities, interests and searches of each artist. Both artists collaborated for just over a decade. A significant example of their joint Artwork is the mural painting of the entire Tipell factory (2000 square meters, considered the largest Artwork of pop-art in Europe, and the most iconic in Spain - photo at the end photo: Fundació Arranz-Bravo) . The lithography corresponds to their periods - which together with other artists marked a turning point in Spanish contemporary art, and which we could call new figuration and neo-surrealism, and new transgressions, and approach to pop-art -, typical of the collaboration of these artists between the 60s and 70s, after their individual immersion in abstraction and experimentation. After their close collaboration, both continued their careers, and currently have Artwork in major contemporary art museums.
Original lithograph signed and numbered 20/125 in pencil by the artist Eduardo Arranz-Bravo (1941 – 2023), published in the Sala Gaspar Collection, 1973. He is situated in art-pop, neo-figurativism, surrealism and new avant-garde. In any case, he is one of the most representative artists of the art of the second half of the 20th century. One of his most significant Artworks, as a result of the union with Rafael Bartolozzi (1943 – 2009), both strategic and plastic, was the one carried out in the Tipel tanning factory (1971), at the foot of the highway. Painted in its entirety, there are 2,000 square meters of surface, with very bright colors, very pure, very “pop”. Iconic Artwork (penultimate photos; last photo, Eduardo Arranz-Bravo, in his studio), considered at the time by the British press as the largest art-pop Artwork in Europe. In 2019, the Artwork was restored by Arranz-Bravo himself. The lithograph was published in the Sala Gaspar Collection, 1973 (last photo, not included). With some signs of time, small barely visible stains, it is in very good condition. Overall: 73cm x 55cm. Image: 69 cm x 50 cm, on high quality white paper.
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