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Autor: Salvador Dalí. Título: El Gran Masturbador. Descripción: grabado gaufrage con detalles de purpurina dorada sobre papel Archés firmado a lápiz por el artista y numerado E.A. Sello seco del editor Gilbert Hammond en el ángulo inferior izquierdo. Referencia catálogo Albert Field página 239. Medidas sin marco 56x76 cm. Obra en buenas condiciones con signos de la edad. Pequeño desperfecto en la esquina superior izquierda.
Author: Salvador Dalí. Title: Dreams on the Beach. Description: Lithograph on BFK Rives paper, signed and numbered by hand 88/300. Dimensions without frame: 76 x 54 cm; image dimensions: 58.5 x 45.5 cm. Artwork in good condition.
Author: Salvador Dalí. Title: Philosopher Illuminated by the Light of the Moon and the Setting Sun. Description: Lithograph on BFK Rives paper, signed in pencil and justified E.A. Blind stamp of the edition. Sheet dimensions 65 x 50 cm. Artwork in good condition.
Author: Salvador Dalí. Title: Goal. Description: lithograph signed on plate and numbered 212/300. Edited by Spadem and Printed by J. Torrents with dry seal. Ink stamp of the Dalí Museum Theater Foundation of Figueras on the back. Measurements without frame 52x73 cm. Artwork with signs of age.
Author: Salvador Dalí (Figueres, 1904-1989) Title: Chained Figure (1962). Description: Etching on parchment signed and dated 1962 on a plate. Signature and additional date in ink in the lower right corner. Drawing, dedication, and signature on the back. Unframed dimensions: 36 x 27 cm. Artwork in good condition with signs of age.
Author: Salvador Dalí (Figueres, 1904-1989). Title: Les songes drolatiques de Pantagruel (1973). Description: Lithograph on Japanese paper, signed in pencil and numbered 46/50. Published by Carpentier and Ethis in Paris. Reference: Official catalogue of graphic Artworks by Albert Field, no. 73-7-S, pp. 173-174. Dimensions without frame: 76 x 54 cm. Framed. Artwork in good condition with signs of age.
53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO I/XXX (Paris, 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, are his greatest interest when creating an image not only with the technical effect, but also the anecdotal, will it be or will it not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, no digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapted it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town
Photograph from a new Monochrom series, titled "Movie Window Displays." Immersing himself with the lens, he creates a journey immersed in the window display, seeking to create a cinematic journey through time, creating nods to past cinematic reflections. 45 x 30 cm, hand-signed, certificate of authenticity. Momoko@Virgili I/XXX Virgili is an artistic photographer with his roots in the world of feature films, having Artworked as a cameraman with directors such as Bigas Luna, Carlos Saura, Fernando Trueba, and others. His Artwork is characterized by a pictorial atmosphere, the use of color, framing, light, speed, and abstraction. These are his main interests when creating an image, not only with the technical effect but also the anecdotal, the will-it-be-won't-it-be-won't-it. He is interested in people interpreting his photography, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to make it unsettling, to make it seem as if the print will start moving at any moment, creating figures that only the first-person viewer will be able to identify. It makes it clear that it's not just a photograph, but that the viewer can interpret it as a frame from their imagination. The technique he prefers to use for his photographic Artworks: mixed, simple, direct, and manual, without any digital process with the baryta paper used primarily in black and white photography.
53 x 30 cm. Girona quan el temps satura. Signed on the back in pencil, certificate of authenticity MOMOKO IXXX (Paris, 1965). A photographer specializing in images, MOMOKO is an artistic photographer. His work is characterized by the pictorial atmosphere, the handling of color, framing, light, speed and abstract character, these are his greatest interest when creating an image, not only with the technical effect, but also the anecdotal, he will be or he will not be. He is interested in people interpreting his photograph, creating doubt and mystery. This makes the viewer feel compelled to look at it for a while and delve into the textures. The idea is for it to be disturbing, to seem as if the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. He makes it clear that it is not only a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed, simple, direct and manual techniques, without any digital process. He uses baryta paper, mainly used in black and white photography. Virgili also adapts it to color, giving it his personal touch, eliminating the polyethylene from normal paper and using a barium sulfate coating (barite), which gives the coating a natural shine. Exhibitions (selection): 1992 Église du parc. Fontenay aux Roses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle, Vilopriu, Girona 2013 La Salle le Stop, by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou, Barcelona 2015 Galleria Sky Barcelona - 2016 Gallery RRLuxury C. Town
30 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town
53 x 30 cm. By immersing himself in the scene with his lens, he creates a journey within the shop window, seeking that cinematic voyage through time, creating parallel worlds, accompanying natural light and its shadows, blending them with reflections and real elements to achieve this parallelism. Signed on the reverse in pencil, certificate of authenticity MOMOKO I/XXX (Paris, 1965). A photographer specializing in imagery, MOMOKO is an artistic photographer. His work is characterized by a painterly atmosphere; his handling of color, framing, light, speed, and abstraction are his primary interests when creating an image, not only with the technical effect but also the anecdotal one—it will be, or it won't be. He is interested in people interpreting his photographs, creating doubt and mystery. This compels the viewer to look at it for a while and delve into the textures. The idea is to create a sense of unease, to make it seem as if the print might begin to move at any moment, creating figures that only the viewer in person can identify. He makes it clear that it is not just a photograph, but that it can be interpreted as a frame from his imagination. He likes to use mixed techniques—simple, direct, and manual—no digital processes. He uses baryta paper, primarily used in black and white photography. Virgili also adapts it to color, giving it his personal touch by removing the polyethylene from regular paper and using a barium sulfate coating, "baryta," which gives the coating a natural sheen. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town
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CIF: B66516378
Travessera de les Corts, 354 2-4
08029, Barcelona
902014040
info@subastareal.es
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