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Juan Carlos Virgili: "Bombilla de Luz" 1/10

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Serie Puntos de Luz, Bombilla de Luz . Edi.limitada 10 60x40 cm Firmada n l reverso a lápiz certificado de autenticidad Fotógrafo J C Virgili Juan Carlos Virgili (Paris 1965)  Cámara de cine.  Ha trabajado en Largos metrajes como:  Dispara (Carlos Saura) . Jamón Jamón (Bigas Luna). Huevos de Oro (Bigas Luna).   La Teta y la Luna (Bigas Luna).  Demasiado joven para morir viejo (Mar Targarona)  Maratón (Carlos Saura) Carne de Alejandro Marco ... Fotógrafo especializado en imagen, Virgili es fotógrafo artístico. Su trabajo se caracteriza por el ambiente pictórico, el manejo del color, del encuadre, de la luz, de la velocidad y el carácter abstracto son su mayor interés en el momento de crear una imagen no solamente con el efecto técnico, sino también el anecdótico, el será o no será. Le interesa que la gente interprete su fotografía, creando dudas y misterio. Esto hace que el espectador se vea obligado a mirarla durante un rato y se adentre en las texturas. La idea es que resulte inquietante, que parezca que la impresión empezará a moverse en cualquier momento crean figuras que solo el espectador en primera persona podrá identificar. Deja  claro que no solo es un fotografía sino que se pueda interpretar que es un fotograma de su (la gente) imaginación. La técnica que le gusta utilizar para sus obras Fotográficas: Mixta, simple, directa y manual, ningún proceso Digital con el papel baritado utilizado principalmente en fotografía en blanco y negro, Virgili lo adapta al color sacándole su toque personal anulando el  polietileno  del papel normal y usando recubrimiento de sulfato de bario “barita” q da brillo natural al recubrimiento. Exposiciones (selección): 1992 Église du parc. Fontenay auxRoses 1998  Ateneu  Cadaques (Colectiva)   2002 La Salle de Jean Pierre Lanvallay  Bretagne (Colectiva) 2012 Castillo de Vilopriu Vilopriu Girona  2013 La Salle le Stop de Toni Paris (Colectiva)  2014  La sala de les  Rambles del Poble Nou Barcelona 2015 Gall

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Auction closes:

  2022-1-5 18:20:00

 

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Lots from the same artist

  • Virgili "CUAL" II/X (2023)

    53x30 cm Signed on the back in pencil Certificate of authenticity MOMOKO II/X MOMOKO (Paris 1965) Photographer Specialised in images, MOMOKO is an artistic photographer. His Artwork is characterised by the pictorial atmosphere, the use of colour, framing, light, speed and abstraction are his main interest when creating an image, not only with the technical effect, but also the anecdotal, whether it will or will not be. He is interested in people interpreting his photograph, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is to make it disturbing, to make it seem as if the print will start to move at any moment, creating figures that only the viewer will be able to identify in the first person. He makes it clear that it is not only a photograph but that it can be interpreted as a frame of his (people's) imagination. The technique he likes to use for his photographic Artworks: Mixed, simple, direct and manual, no digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch by eliminating the polyethylene of normal paper and using a barium sulphate coating “barite” which gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle de Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop de Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona-2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 11/17/26 8:45 PM

  • Virgili "SUMAR" III/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO III/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 11/17/26 8:50 PM

  • Virgili "MARSU" II/X (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO II/X MOMOKO (Paris 1965) Photographer Specialized in images, MOMOKO is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 11/17/26 8:55 PM

  • Virgili "AGUADSAL" II/X (2023) IX/X

    virgili 53x30 cm Signed II/X back in pencil certificate of authenticity Photographer J C Virgili Juan Carlos Virgili (Paris 1965) Film camera. He has Artworked on feature films such as: Dispara (Carlos Saura). Jamón Ham (Bigas Luna). Golden Eggs (Bigas Luna). The Teta and the Moon (Bigas Luna). Too Young to Die Old (Mar Targarona) Marathon (Carlos Saura) Carne by Alejandro Marco... A photographer specialized in images, Virgili is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town FOLLOW THIS AUCTION

    225 EUR
    End Date: 11/17/26 9:05 PM

  • Virgili "Tramuntana" I/XX (2023)

    53x30 cm Signed on the back in pencil certificate of authenticity MOMOKO I/XX MOMOKO (Paris 1965) Photographer Specialized in images, Virgili is an artistic photographer. His Artwork is characterized by the pictorial atmosphere, the management of color, framing, light, speed and abstract character are his greatest interest when creating an image not only with the technical effect, but also the anecdotal one. , he will be or he will not be. He is interested in people interpreting his photography, creating doubts and mystery. This forces the viewer to look at it for a while and delve into the textures. The idea is that it is disturbing, that it seems that the print will start to move at any moment, creating figures that only the first-person viewer will be able to identify. Make it clear that it is not only a photograph but that it can be interpreted as a frame of your (people's) imagination. The technique he likes to use for his Photographic Artworks: Mixed, simple, direct and manual, no Digital process with the baryta paper used mainly in black and white photography, Virgili adapts it to color, giving it his personal touch, canceling the polyethylene of normal paper and using barium sulfate “barite” coating that gives a natural shine to the coating. Exhibitions (selection): 1992 Église du parc. Fontenay auxRoses 1998 Ateneu Cadaques (Collective) 2002 La Salle by Jean Pierre Lanvallay Bretagne (Collective) 2012 Vilopriu Castle Vilopriu Girona 2013 La Salle le Stop by Toni Paris (Collective) 2014 La sala de les Rambles del Poble Nou Barcelona 2015 Galleria Sky Barcelona -2016 Gallery RRLuxury C. Town

    225 EUR
    End Date: 11/17/26 9:10 PM

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